JazzTimes Reader's Poll 2020: Best New Artist

Jazz Journalists Association: Mid-Size Ensemble of the Year

"A killer line-up of players, composers, and performers who hail from all over the world...they all converge on this extremely cosmopolitan, sleek, rhythm-forward, modern sound."  - NPR MUSIC

“Together they revealed a shared intensity and suggested something alluring and new. The group’s debut release, 'ARTEMIS' delivers on that promise... The real headline here is this ensemble’s cohesion, its ability to move gracefully through various styles and moods and to sound, by turns, authoritative and playful, locked-in or loose-limbed. In the tradition of drummer Art Blakey’s Jazz Messengers, ARTEMIS crafts an identifiable band sound rooted in sturdy yet flexible rhythms... ARTEMIS means to upend expectations, gently and yet with force. Its music comes off like a nuanced argument for a fresh point of view.”   - WALL STREET JOURNAL

ARTEMIS is a jazz supergroup comprised of pianist and musical director Renee Rosnes, clarinetist Anat Cohen, tenor saxophonist Nicole Glover, trumpeter Ingrid Jensen, bassist Noriko Ueda, and drummer Allison Miller. The group is distinctive not only for bringing together six singular artists, each renowned for their own remarkable solo career; but for its multi-generational and globe-spanning line-up with members hailing from the US, Canada, Israel and Japan.

The band’s debut album ARTEMIS on Blue Note Records is a superb nine-song set that features material composed and/or arranged by each of the band’s six instrumentalists. ARTEMIS unfurls with a dynamic flow, stunningly eclectic yet entirely cohesive. “The group identity emerged organically,” Rosnes says, and ARTEMIS discovered a thrilling collective vision early in its lifespan. “We are six leaders, each with our own vision and personal point of view, but we play with a unified conception.”

“The Greek goddess Artemis is an explorer, a protector of young children, and a goddess of the hunt,” explains Jensen, who conceived of the band’s name. “I feel that her character is indicative of the energies and wide array of musical tapestries that ARTEMIS the band brings to the stage as we take our music to the moon and beyond.”

ARTEMIS has been featured on the cover of DownBeat, in Vanity Fair, on NPR’s Jazz Night in America, and has performed on some of the country’s most iconic stages from Carnegie Hall to the Newport Jazz Festival.

“On a sunny August afternoon in 2018, I was among the thousands of fans attending the Newport Jazz Festival who had their minds blown by ARTEMIS,” says Blue Note President Don Was. “Although each individual member of this supergroup is a bona fide jazz titan, these incredible musicians dwell in the rarefied air of bands whose whole is greater than the sum of its already sublime parts. Their musical conversation is sophisticated, soulful and powerful, and their groove runs deep.”


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"The Power of...ARTEMIS"

DOWNBEAT Sept. 2020


By Suzanne Lorge

Last fall, Blue Note Records made history by signing pianist Renee Rosnes' adventurous septet, Artemis to its roster. The deal stands out for the departure from the norm: Blue Note typically represents solo artists and bandleaders. The self-led groups it does represent tend to be small. And, regardless of size, Blue Note bands overwhelmingly comprise male musicians. By welcoming Artemis into its pantheon of esteemed artists, Blue Note upends these precedents and expands the diversity of its ranks. The label will release Artemis' suberb eponymous debut on Sept. 11. 

While the band pushes several boundaries –cultural, generational– it's hard to miss that its lineup is exclusively female. By now though, the all-female jazz band isn't as surprising as it once was. So, what makes Artemis exceptional isn't how they identify, but how they compose, perform, lead and collaborate as the elite musicians that they are. Collectively, the sheer force of the group's ability is staggering!

To read more of the article, purchase this issue:

[During a Zoom conference call with Down Beat, the members of Artemis discussed the creative process behind their eponymous Blue Note debut, their views on inclusivity in jazz and why the group decided to name itself after the Greek goddess of the hunt.]


Hosted by Christian McBride

"Their set played like an expertly crafted mixtape, moving from a knotty version of Thelonious Monk's Brilliant Corners to a surprisingly dramatic version of the Beatles' 'Fool on the Hill." –– ROLLING STONE